When I think about color composition I think less about the colors perse, though how they are distributed and arranged within the frame of the photo matters, than the light, the natural light that veils or unveils the shot for the photograph to be what it can be. For instance, for photo three, a natural white light would have made it one fulfilled image. I am not talking about bright sunlight and shadows, but a calm almost uniform white light that alters the tonalities in the photograph. In this sense, light can make or unmake the photo nearly singlehandedly.
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